Johnny Truant's Notes

Chapter 3

"It is no accident that the photographer becomes a photographer than a lion tamer becomes a lion tamer - Dorothea Lange"

The chapter opens with the questions, Why Navidson, and why not someone else. Which is a common question to ask when faced with a traumatic event, why this person, why not someone else. It is true that it seems random that it just so happens that Navidson, who had happened to start documenting what was going on in the house without a hint of realization of what was truly going on. Even Navidson proclaims "How the fuck did I end up here", only to find no response at all.

It is postulated that the creation of the house is due to Navidson's own psyche, after all, he had a troubled youth with a drunken father who passed away, and a mother who did not care for him or his twin brother, who simply disappeared. However, this is contested as many people have lived in the house, around 1 person every three years, since the 1700s, and it is stipulated that they did not stay very long due to the house's properties.

It is also noted that Navidson likely pursued photography as it captured moments that were so fleeting.

So why Navidson? The answer is quite simple: someone like Navidson would have come by eventually, it was inevitable. Why not someone else? Because only Navidson would be able to delve so deep, and be able to bring that vision back.

The house chose Navidson just as much as Navidson chose it.

The Real World

Truant opens up his part of the chapter in the footnotes talking about Lude, how their song and dance is likely what made them friends. While Lude was popular and knew everything there was to know about the place he lived, stated to be L.A. here, Truant was more able to captivate people with the stories he spun.

However, it moves on to talk about the trunk filled with the chapters for the analysis of "The Navidson Record". How Truant finds a sort of kinship with those things, discarded, unwanted. Much like how his father died suddenly at a young age, as well as his mother shortly afterwards. It was declared bluntly by a counselor for disaffected youth, "You like that crap because it reminds you of you."

It leaves Truant wondering a similar question though, Why him? Why not someone else?

He ends by stating that his curiosity and connection to the discarded objects is the simple answer, and both we and him know it.

Notes

  • First I would like to note the similarities between Navidson and Truant, who both had absent parents in their life. While Navidson turned to photography, turning fleeting moments permanent, Truant turned to taking care of things that are otherwise neglected.
  • Truant compares the trunk that Zampanò left behind to Zampanò's corpse.
  • "Dante's Inferno" is again quoted, this time from Canto II, Lines 31-32, "But I, why should I go there, and who grants it? I am not Aeneas; I am not Paul." This further makes comparison between Dante and Navidson, though Navidson has no guide in this house of true despair, he is still a witness and traveler through what can only be described as Hell.
  • Futher on that train of thought, as there is earlier a comparison made between Navidson and Truant, we can further extrapolate and make a comparison between Truant and Dante. This is somewhat more conclusive, as while Navidson had no guide, in some ways Truant does in Zampanò. Further with this, Dante's first guide, notably as being the guide for the entirety of the Inferno portion of "The Divine Comedy", is Virgil. Virgil being a poet at the time, one of which Dante looked up to. Zampanò fills a similar role with being a guide and the spark that causes Truant to dive into this hell by writing, which while not poetry is comparable, the manuscript. They are also both passed by the time their respectful mentees find themselves in their presence, though Dante's is more literal than Truant's.